24 December 2019

2019 Make Nine Results

It's been quiet in my little corner of the blogosphere.  I'm here and sewing, just not talking much about it here.  

The last post was on my 2019 Make Nine plan.  It's fitting (hah!) to make the first post since then on the same topic.  Cheers for continuity? =)

The results:

(I don't know why some pictures are weirdly cropped.)
 
I finished 5 of 9 and worked to some degree on 8 of 9.  Not bad, eh?

COMPLETED 
  • Burda 11-2017-106 (#2):  Love it and wore it a few times this year.
  • McCall's 7429 (#3):  I made two versions of this dress and wore them both a few times.
  • Blue Calla Boronia Bowler (#5):  After eight months, I finally finished this bag.  This probably deserves a separate blog post because whilst it wasn't difficult to sew, it took forever and required me to unpick the entire thing more than once.  Oof.
  • Jalie Éléonore (#6):  I made two more versions of this and wear them all of the time.  I seriously love this pattern for its ease in construction and wear.
  • Butterick 6388 (#8):  Love this dress and intend to make at least one more.

ABANDONED
  • Burda 9-2006-104 (#1):  After losing a fight with the interfacing, I gave up.  I still want a trench coat with piping detail, but it's not happening with this fabric.
  • Ottobre 5-2012 #7 (#4):  I really tried to make this work, but the fabric was too stiff and the collar was abnormally large.  I corrected the collar and tried to make this pattern two more times.  Both were fails.  I don't think I'll try this a fourth time; there are just too many patterns out here to be fussing over this one.
  • Burda 5-2011-113 (#7):  This is the only pattern I didn't make or muslin.  I still like it, though have no immediate desire to make it.
  • Ottobre 5-2010 #11 (#9):  I made a muslin back in September and it looked promising.  I didn't make the coat because there is no back neck facing and I didn't feel like making one.  I don't understand coat patterns that are lined to the neck.  It has front facings, but no back facing?!  Why would you do that?  What is the advantage?  I really want this pea coat, so either I have to make a back facing...or...make a back facing.
I enjoyed working through the challenge this year.  Even though I sewed way more than nine garments, I liked having a goal of working specifically on patterns that I've wanted to make for some time.  I intend to participate in 2020 Make Nine and have a tentative plan ready to go.

L

08 July 2019

MakeNine 2019 progress

Despite the radio silence on my MakeNine 2019 plan, I have made some progress.  Of the nine items, I completed/worked on seven.  



COMPLETED 
  • Burda 11-2017-106 (#2):  Love it and wore it a few times this winter.
  •  McCall's 7429 (#3):  I made two versions of this dress and wore them both a couple of times.
  • Jalie Éléonore (#6):  I made two more versions of this and wear them all of the time.  I seriously love this pattern for its ease in construction and wear.
  • Butterick 6388 (#8):  I really like this dress, but I've yet to wear it.  Hmm...

STALLED

Blue Calla Patterns Boronia Bowler (#5):  I am *this* close to finishing the purse.  The problem is trying to find a zipper that opens from center to end.  First I ordered the wrong zipper from Wawak.  Then when I ordered the correct zipper, they mistakenly sent me the same wrong zipper from before.  Now that I finally have the right zipper, the two zipper pulls are not the same and it annoys me.  Waaah! 



So the purse sits in all its unfinished glory.



ABANDONED (for now)

Ottobre 5-2010 #11 (#4):  I swapped this pattern out for Ottobre 5-2012 #7 (shown below).


The collar is somehow too wide and extends beyond the button band.  I have to fix the collar pattern piece before I resume working on the shirt. The likelihood of that happening any time soon is pretty low. =/

Burda 9-2006-104 (top row #1):  I had high hopes for my second trench coat.  I even went all out and made my own bias tape and piping.  What ultimately tanked this project was the fusible interfacing.  I used an off-white lightweight interfacing thinking it would be better than the black weft interfacing that I love so much.  I was so wrong.

The interfacing puckers and separates with just a hint of steam.  This looks so bad and I have zero motivation to finish it.


Uggggh.  The pockets looked even worse with interfacing.

I really want to make this coat, but I'll have to start over with better interfacing.  And so begins the search for light pink twill!

STILL PART OF THE PLAN

Burda 5-2011-113 (#7):  I still like this jacket even though I have nothing to wear with it.  Maybe I'll make a leather skirt or something.

Ottobre 5-2010 #11 (#9):  I hope to start this pea coat some time in September.  We shall see!

Even if my first MakeNine challenge isn't completely successful, I will likely do it again next year.  I find it a good motivation to put some focus on patterns or projects that I have wanted to sew for a long time.

L




01 July 2019

Burda 6425: pullover top

Occasionally, JoJo (JoAnn Fabrics) has a sale on Burda patterns for $2.49.  Because I am *cough* cost conscious, I use this as an opportunity to pick up patterns on which I would probably pass.

Hello Burda 6425.
There's nothing particularly exciting about the pattern - at least to me.  It's got shoulder pleats, sleeve casings with ties, and an elastic hem.  Big whoop.

But you know what?  I LOVE IT!  It wasn't difficult to sew and I finished it in two days.  I probably could have finished it in one day, but I burned a part of one sleeve and had to re-cut it.
I fully admit my dress form picture-taking skills need help.  Hopefully you can still see some of the details.

As with many Burda tops, the V-neck is insanely plunging.  The instructions even mention adding a snap to control exposure.  Thanks for the suggestion Burda, but I already knew. =)

Sizing
I cut a size 42 and did not make an FBA.  I made a muslin to be certain that I would have enough room even though the top is loose-fitting and has generous ease.  

I thought I would have to finagle the armhole because on the muslin it seemed really high.  After sewing in the sleeves on the actual garment, I didn't notice any strain in this area and the armhole doesn't feel tight.
Fabric
I used a deliciously supple medium-weight rayon challis.  It sewed and pressed beautifully and was not shifty like other silky fabrics.   ALL challis needs to feel like this!  The fabric is deep stash, so I have no idea where I bought it.  If I ever find challis like this again, I am buying all the colors!

I wore the top to an event yesterday and got a couple of compliments.  It was really comfortable and cool (i.e., not hot or sticky) to wear.

Sewing
I used a 70/10 needle in my sewing machine and my serger to finish the seams.

Look at that stitch-in-the-ditch!  I used my blind-hem foot to get the needle super close to the bound edge.  Love!!

The sleeves were fun to put together.  The seam for the front and back sleeves help to create the casing into which the ties are inserted. The ties are cut on the bias, sewn right sides together, and turned to the outside.  I had no problems using my loop turner to turn the tubes right side out.

This pattern is definitely a keeper!  I intend to make the long-sleeved version at some point later this year.

This is the third of four tops that I am making for a mini wardrobe.  I made a muslin for the Simplicity 8097, but I'm not feeling it.  If I have enough fabric, I will have another go at Simplicity 8014.
Here's my progress so far:

Tops
  • Jalie 3245 - black & beige distressed knit (done)
  • Burda 6426 - grey cotton chambray (done)
  • Burda 6456 - white cotton burnout or grey cotton chambray (maybe)
  • Burda 6425 - yellow rayon challis (done)
Bottoms

  • Burda Style 4-2019-113 - black denim (done)
  • McCall's 7906 - grey, white, yellow, black cotton (done)
Jacket

  • Kwik Sew 3558 (done)
Dresses 
  • Simplicity 8014 - grey & white linen (next)
  • McCall's 7465 - black and white striped rayon knit
  • Simplicity 8834 - yellow tencel (maybe)
That's all for now.  Next up is a review of McCall's 7906 and an update on my 2019 Make Nine plan.
L





24 June 2019

Burda 6426: chambray shirt

This pattern moved to the top of the to-sew list as soon as I saw Maggie's (@maggieelainediy) version on Instagram.  I'm glad she shared her version because the pattern envelope is not inspiring at all.


As a basic button-up shirt, it's perfectly fine.  But I would have not given this a second thought were it not for Maggie posting a few pictures of her shirt.


Oof.  Don't mind the collar and back photo.  It looks much better in person. =)

The fabric is cotton chambray from the stash.

I muslined a straight size 42 (16).  I didn't need an FBA, but I removed 1/2 inch above the bust and in the waist area on both the front and back.  I think this is an alteration I'll have to make with most Burda woven shirts.

To ensure the sleeve length remained the same, I removed 1/2 inch before and after the shoulder seam, tapering to nothing at the sleeve hem.

When I tried on the top, I was disappointed to see the shoulder seam was SOOOOOO long.  When I looked at the pattern envelope again, I noticed the shirt actually has dropped shoulder seams.  D'oh!  The line drawings don't accurately show this, though you can sort of see it in the printed top on the model.


I'm not too big on dropped-shoulders because the style makes it appear as if the shirt is falling off of me.  My fabric has nice drape, so it doesn't look too bad. 

Ruffles!  I love this little sleeve detail.


You're supposed to sew a buttonhole through multiple thicknesses on this tiny band.  Uh, no.  I opted to save my sanity and use snaps instead.

In all I like the shirt and will definitely wear it.  It's not a difficult pattern to sew and can be made rather quickly.  The dropped-shoulder has to grow on me, though.

This is the second top completed for my mini wardrobe plan:

Tops
  • Jalie 3245 - black & beige distressed knit (done)
  • Burda 6426 - grey cotton chambray (done)
  • Burda 6456 - white cotton burnout (maybe)
  • Burda 6425 - yellow rayon challis (next)
Bottoms
  • Burda Style 4-2019-113 - black denim (done)
  • McCall's 7906 - grey, white, yellow, black cotton (almost finished)
Jacket

  • Kwik Sew 3558 (done)
Dresses 
  • Simplicity 8907- grey & white linen
  • McCall's 7465 - black and white striped rayon knit
  • Simplicity 8834 - yellow tencel

I am really close to finishing McCall's 7906.  I realized late yesterday that the pockets are pressed and stitched in the wrong direction. *facepalm times 100*  I have to unpick the understitching and regular stitching to re-do this area.  

After this, I need to sew the buttonholes and hem.  More later!

L


18 June 2019

Burda Style 4-2019-113: skirt

Leave it to Burda to take a simple A-line skirt and make it fabulous.  When I saw this pattern in the April issue, I knew I wanted to make it.

 (line drawing credit:  Doctor T Designs)

Let's look at the details:
  • loads of topstitching
  • in-seam pockets
  • functional and removable pocket bag
  • belt loops - integrated and separate
  • back invisible zipper
  • cuteness overload!

I cut size 44 and made a 3/4" full seat adjustment.  I added a 1" hem but removed it after trying on the skirt.  Usually I don't add a hem allowance to Burda skirts or tops, but this looked a little short.  I ended up not needing the extra length.

This is really easy to sew and the instructions aren't terrible.  Mind your markings and definitely follow the instructions!  I ended up picking every single topstitched seam because I glossed over some details.

For example, the area where the belt passes under the panel is only on the right side.  This is clear in the line drawing and implied in the instructions.  Somehow, I missed that until I was nearly finished.  *facepalm*

Also I topstitched the center back seam before finishing the waist.  Yeah, don't do that.  Once the waist is finished, the topstitching helps to secure the facing (or petersham in my case) to the inside.  I wondered why Burda waited until the end to do this topstitching; now I know.

Can we talk about the belt and pocket loops?

Each rectangle is 1 1/8 inches wide.  You're supposed to stitch the long sides right sides together using a 1/4 inch seam allowance and turn right side out. Even though I was using a light weight denim, there was no way to turn this tube right side out.  I tried using a bodkin, fasturn, safety pin, prayer - nothing worked.



So instead, I re-cut the rectangle 1/4" wider, turned the long edges in, pressed, and topstitched from the outside.


So much easier!

I used petersham to face the waist - my preferred method for skirts.  I actually cut and attempted to use the facings, but following the instructions left me with an area that was really bulky. 



I didn't include the tab on the pocket bag or the inseam pockets.  I used a snap as the closure, but I will make a functional buttonhole instead.  The button looks out of place just sitting there.

I really like this skirt.  It's part of a mini wardrobe I got going on right now:

  • Tops:  Jalie 3245 (done), Burda 6426 (next)
  • Bottoms:  Burda Style 4-2019-113 (d0ne), McCall's 7906
  • Jacket:  Kwik Sew 3558 (done)
  • Dresses:  Simplicity 8891, Simplicity 8834, McCall's 7465

I muslined Burda 6426 and it looks promising. Hopefully I can get this sewn in the next couple of days.

L








13 June 2019

Jalie 3245: raglan top

Me and the blogging thing seem to be on an indefinite loop of "excited to share" and "ugggh."

Initially I started to write a super long post summarizing my sewing hits and (mostly) misses over the last couple of months.  The task proved to be daunting and I quickly lost interest.

So instead I'll try to write smaller, shorter posts on the things I've sewn since March.  We'll see how this goes. =) 

First up:  Jalie 3245.  



This has been on my radar for a while.   Jalie usually fits me with minimal adjustments and the simplicity of the top makes it an easy sew.


Unfortunately, the expansion of my gut doesn't make this a flattering look.  It looks okay from the front and back, but that side view is just begging for someone to ask me when I'm due.  =/

I cut a size Z and made a 3/8" FBA for a bit more width and length.  I rotated the dart to the raglan seam.  There were no issues sewing this seam as there was plenty of stretch to accommodate for the extra length.


I have always struggled with knit neckbands.  Sometimes I'll sew them decently; most times, not so much.  Kyle (@vacuumingthelawn on Instagram) uploaded a video of how she attaches knit neckbands.  It's such a good method and, save for user error, works perfectly.


It takes some practice to gauge how much to stretch the neckband, but minor differences in tension are barely noticeable. This is the probably the best neckline I've sewn.  Check out Kyle's highlights for the process.

The fabric is a distressed knit that I picked up recently in Canada.  It's a combination of regular jersey and mesh knit.  This combo did not respond well to straight basting stitches at all.  So I sewed all seams with a small zigzag stitch first and finished them together with the serger.

I didn't bother hemming the shirt.  The unfinished hems sort of "go" with the distressed look.


Really I was just being lazy. =P

The shirt not a total fail, but I don't know that it'll get much wear.  I'll revisit it again in about 10 pounds. =)

L

19 March 2019

What month is this?

March, right?  

February was all kinds of hectic and stressful.  I was sick for over two weeks.  Thankfully I am better now, though I was scared for a moment.

Needless to say, not much sewing went on. I made eight garments in January; I half-finished one shirt in February. 

About that shirt...

Continuing with my Make Nine challenge, I started working on the Ottobre shirt, well a similar shirt. 


 Ottobre 5-2012-7

The horizontal bust darts were converted to shoulder princess seams for better fit.  The pattern doesn't have back darts, but I added them for waist shaping.


The bottom half and button band are both cut on the bias and this is my first time working with plaid.  Except for the two weeks I was sick, I put a lot of time into making this shirt. 

So why is it only half-finished?  Two words:  the collar.  UGH.

The collar stand is cut on the fold, right?  So why did I add a seam allowance to the fold line?  SMH.  I didn't even realize it until after I cut, interfaced, and sewed it to the neckline.

Okay, so I remove the collar/collar stand situation and re-cut the stand without the seam allowance.  Problem fixed?

Well...let's see.



Hmm...this looks okay.  The edge of the collar seems mighty close to the edge of the collar stand.  Let's see how the other side looks.

LE SIGH.

Why does the collar extend beyond the button band?!  Did I add a seam allowance to the foldline of the collar too??

Suffice it to say this shirt is currently residing in Area 51.  While I have enough fabric to re-cut the entire collar situation again, I am sorely lacking in patience right now. 

Plus the fabric is really stiff and I am not as enthused about dealing with it anymore.

I really like the pattern and intend to work on it again - just not right now.  I need a sewing win and this shirt is not going to deliver.

What's next?  I have a pair of jeans cut out and ready to sew and am starting the Boronia Bowler bag (another Make Nine challenge piece).
 

I hope this bag comes out as nice as I envision.  We shall see!

L





28 February 2019

Simplicity 8470 (coat)

Woooooooo chile.  This coat right here.


I am no stranger to making coats.  Prior to sewing this pattern, I made six coats - all of them lined and of various fabrics (wool, cotton, upholstery).  None of them frustrated me more than this one.

Let's just get to the issues.  

back lining
In the first printing of the pattern, the back lining piece was drafted with more flare than the back piece.  I straightened the back seam by measuring in about 3/4" at the hem, tapering to nothing at the back notches.  This is what others who made the coat did to fix the issue.

instructions for attaching the lining neckline to the coat neckline
The instructions for this part are useless.  It's not clear if the front self-facing should be folded first before stitching the seam.  I exchanged several emails with a representative from Simplicity in an attempt to understand what to do.  The conversation ended with her sending me a PDF of the "new" instructions - which were identical to the old instructions.

I messaged everyone on PR who sewed the coat for help. PR member Grizabella said this:

"...if you held one neck edge point of the coat in each hand and extended them, the facing should naturally fold where it should fold. Once folded, (and the whole thing is still inside out at this point) the neck edges of the lining and coat should now match up in length WITH THE FACING FOLDED . THEN sew your neck edge from one side to the other. The hood should be sandwiched inbetween [sic] the two layers at this point."

Her comment made sense and worked perfectly.  Why isn't this clearly articulated in the instructions?  Grr.

enormous hood
I don't know who this hood was designed to fit, but it's clearly not for humans.  In the second picture above, the hood nearly spans the width of the coat.  Who has a head this big? Oof.

pockets & photoshop
I'm a wee bit salty about the pockets.  Despite steaming and pressing and steaming some more, they still sag noticeably.  My wool was fairly thick and substantial, so I didn't think it needed interfacing; maybe it did. 

Still.  This got me thinking about how Simplicity (and probably all pattern companies) photoshops the pattern images.  I remember first realizing this when Simplicity released 1016:

 (from Simplicity's website/pattern envelope)
 (from Mimi G's website)

Um...those sleeve wrinkles and tragic hem did not magically disappear in the same photo shoot.    *eyeroll*

(Simplicity 8470 pattern envelope)
Where is her hand in that upper pocket?

So maybe the pockets really do sag in Simplicity's version, but were photoshopped for the illusion of perfection.  Then again, interfacing the pockets could have helped.  I don't know.

I was willing to accept my fault in this until I zipped up the finished coat...

front closure

What is going on?  Sigh.  Either this is what happens or the right front self-facing is not nearly wide enough to overlap the left front. 

The image on the pattern envelope shows the model wearing the coat unzipped.  That's not photoshop, but still kind of deceptive:  it lacks crucial information.  I'm not convinced everything will lie perfectly flat if the coat were zipped.


For reference, here's an image of the same area.  It looks like my right front is even wider!

 (area to the right of the zipper teeth is the zipper tape)

Despite basting the zipper along the pattern's marked line, it looks like the zipper tape should be closer to the lining seam.  It's not possible to know that the right front might not be wide enough ahead of time because the zipper is attached before the lining.  I think the zipper placement line on the pattern is wrong.

This is so not good.  I'll steam it once more and then sew some snaps to keep the front closed.  Otherwise the only way I'll wear it is unzipped and that's not practical in Michigan until May.  And then who wears a heavy wool coat in Michigan in May?  Absolutely no one.

other minor issues
The area where the hood, front self-facing, and lining meet is very thick.  It's even more challenging to sew if you include fur.  I suggest trimming as much fur out of that area as possible so that your machine doesn't hate you later.

The pattern calls for a 22" separating zipper.  I thought it would be too short and opted for 24".  I should have stuck with 22" because now my coat nearly zips all the way and there almost isn't enough room for walking.

I should have raised the whole pocket situation an inch or two.  My pockets sit lower on me than on the model.

***

I've kvetched long enough about the issues.  I do have some good things to say about the coat.

again with the pockets
While time consuming, they weren't that hard to construct.  Oddly enough, the instructions were very clear and nicely illustrated.  

You're supposed to cut four lining pieces - two for each upper (zippered) pocket.  Since I used Kasha flannel-backed satin as my lining, that would have created too much bulk.  So I cut one lining piece out of muslin and used that instead.

I wished I'd color-matched the zippers throughout the entire coat.  The cream colored zipper isn't bad and compliments the interior lining.  Still, I think it would have looked better if these zippers matched the front zipper.

light tailoring
I used hair canvas as interfacing for the front and back stay.  My preferred method for attaching hair canvas is found in Kenneth D. King's book Cool Couture: Construction Secrets for Runway Style.  



I fused interfacing to the back and sleeve hems for support.  I also underlined the back with cotton flannel for extra warmth.

the zipper
Initially, I started with a cream colored zipper to match those on the pockets.  Soon after installing it, I realized that it provided too much contrast given that the zipper isn't fully concealed.


Every time I walked into my sewing room, I hated the cream zipper a little more.  I knew I wasn't going to be happy with the coat and I had spent too much time (and good fabric!) on it already.  


The new zipper matches perfectly - despite it costing grumble-grumble dollars.

***

The verdict?  Meh.  It's not my favorite.  

If you want to copy the J. Crew coat for which this pattern was inspired, choose a better base pattern (with or without hood) and take the pockets from this pattern.  The hassle of fooling with 8470 isn't worth it.

L


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